HOTHOUSE is our space where artistic process is unearthed, shared and considered. We’d love this to be an exchange of ideas, rather than a one-way missive, so share your thoughts at the end of any blog.
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A new collaboration with Jack Flame Sorokin that shares an intimate window into the lives of contemporary dancers.
In a way, Moth is an homage to Nina Simone. I’ve had a complicated relationship with her music since I was a young artist and it continues to draw me in, like a moth to the flame.
I developed Moth by letting go of the idea that this movement material would ever hit a stage and focused on two things: space and face.
I’m a body thinker and film is a story medium; I'm playing with ways to combine these impulses.
Embracing a new way to see through the camera’s eye.
Shooting in nature sparked our listening power.
Pushing past romanticized nature and its embodiment in the female form.
We began to perceive the aliveness of things.
Finding Landfall's score, “Sept Papillon,” (Seven Butterflies) by Finnish composer Kaija Saariaho.
Discovering the new and the familiar within the choreography of editing.
The beginning of our journey into film.
Playing with ideas of heroism, singularity, power-play and grandiosity
Whenever I re-set Drop Down, I spend time convincing dancers that less is more, that they don’t need to articulate with their faces or bodies an overt emotionalism, that the content is written into the form.
Exploring my fascination with the formal efficiency of tango
Early explorations of tango.
"...it was hard to blink while they commanded the stage.” - Allan Ulrich
Wet Road was an attempt to describe the ambivalence and trepidation that accompanies desire by exploring the human body as both an obstacle and a pathway. Fragile balances, the trapping of limbs, and an often displaced central axis characterized the movement language and partner
Press accolades for "Night Light's" premiere performances by Juilliard Dance Division
The first time I caught a break in New York was in 2003 when Craig Peterson saw me dance a solo I’d just made called
Approach and Retreat at WAX in Williamsburg. He came up afterwards to talk about an opportunity to show my work at Dance Theater Workshop.
Kate Weare is creating a new piece for Juilliard Dance, under the direction of Lawrence Rhodes.
Kate Weare Company is honored to be named a Creative Resident Artist at the Joyce Theater this year.
I'm still riding high from a fantastic two-week stint in the studio with company member, T.J. Spaur, at CalArts this May. We were given the opportunity to break in the brand new Evelyn Sharp CalArts Summer Choreographic Residency at my alma mater, and I knew it would be a unique feeling
This year Kate Weare Company was given the honor of being the inaugural BAM Fisher Artist–In–Residence.
Relive the music of Bright Land now available on CD and for download.
Watch an excerpt of Lay Me Down Safe and learn about this new commission.
Meet one of Kate Weare Company's new dancers, T.J. Spaur and see a video of T.J. in rehearsal.
Kate Weare celebrates dancers Douglas Gillespie and Leslie Kraus
Meet one of Kate Weare Company's new dancers, Luke Murphy and see a video of Luke in rehearsal for Garden.
Meet one of Kate Weare Company's new dancers, Bergen Wheeler and see a video of Bergen in rehearsal for Garden.
Read thoughts from Kate Weare and Adrian Clark
